Greek comic poets also, interposing the canticum sung by the chorus, divided the spaces of their plays. ❋ Unknown (2008)
- Cantate Domino canticum novum: quia mirabilia fecit. ❋ Bls (2008)
Then came the first canticum, a glorious tenor aria sung to the accompaniment of a lyre. ❋ McCullough, Colleen, 1937- (1991)
Only by deciphering the imprint left by God on the world can we raise ourselves to the transcendent, invisible world; for God has so ordered his creation, has so linked the lower to the higher by subtle signatures and affinities, that the world we see is, as it were, a great staircase by which the mind of man must climb upwards to spiritual intelli - gence (In canticum canticorum 3). ❋ ARMAND MAURER (1968)
Iambic senarii were spoken; other metres were sung; but the scenes in septenarii stood midway between the dialogue and the _canticum_. ❋ Thomas Ross Mills (N/A)
'_Quomodo cantabimus canticum Domini in terra aliena? ❋ Various (N/A)
We may well imagine that such scenes were preceded as well as accompanied by a fearful racket within (a familiar device of our low comedy and extravaganza), the effect probably heightened by tempestuous _melodrama_ on the _tibiae_, as both the scenes cited are in _canticum_. ❋ Wilton Wallace Blanck�� (1916)
The comparison is the more apt, as about two-thirds of the illustrative scenes referred to in the next paragraph are in _canticum_. ❋ Wilton Wallace Blanck�� (1916)
Cf. _Most. _ 858 ff. and _As. _ 545 ff., a duologue in _canticum_. ❋ Wilton Wallace Blanck�� (1916)
Note that this is _canticum_ and the effect of the two "sing-songing" slaves on the audience must have been much the same as, upon us, the spectacle of a vaudeville "duo," entering from opposite wings and singing perchance a burlesque of grand opera at each other. ❋ Wilton Wallace Blanck�� (1916)
_Cap. _ 909 ff. the _canticum_ of the _puer_ becomes more than a mere stopgap, if he acts out vividly the violence of Ergasilus; and in _Bac. ❋ Wilton Wallace Blanck�� (1916)
A name given to the fourth Sunday after Easter, from the first word of the Introit at Mass on that day -- "Cantate Domino novum canticum", Sing ye to the Lord a new song -- similar to the names ❋ 1840-1916 (1913)
Bona thinks that psalmus cantici indicated that the voice was to precede the instrumental accompaniment, while canticum psalmi indicated an instrumental prelude to the voice. ❋ 1840-1916 (1913)
Although the word is derived from canticulum, (diminutive of canticum, a song, from the Latin canere, to sing), it is used in the ❋ 1840-1916 (1913)
In the first verse of some psalms the phrase psalmus cantici (the psalm of a canticle) is found, and in others the phrase canticum psalmi (a canticle of a psalm). ❋ 1840-1916 (1913)
Hamma'aloth, in title of Pss. cxx-cxxxiv (cxix-cxxxiii); Septuagint, ode ton anabathmon; St. Jerome, canticum graduum, "the song of the steps". ❋ 1840-1916 (1913)
(Ps. lxvi), and finally the last three psalms, "Laudate Dominum de coelis", "Cantate Domino canticum novum", and "Laudate Dominum in sanctis ejus" (Pss. cxlviii-cl), are recited every day without exception. ❋ 1840-1916 (1913)
It terminates, as Matins formerly terminated, and Lauds at present terminates, by a lection, or reading, from the Gospel, or canticum evangelii, which, for Vespers, is always the "Magnificat". ❋ 1840-1916 (1913)
Vulgate canticum in most, but not all, of the uses of that word; for where canticum is used for a sacred song, as in the ten canticles found in the Breviary (as given below), it is always rendered ❋ 1840-1916 (1913)
