Any extension of the cathedral on the south was prevented by the presence of the conventual buildings: therefore the north choir-aisle was thrown into the choir, and a new one added northward of the former. ❋ C. King Eley (N/A)
This has taken the place of another figure, with flowing hair, supposed to represent St. Mary Magdalene, to whom the demolished church, adjoining the south choir-aisle, was dedicated. ❋ George Worley (N/A)
Moreover, it is significant that the arches agree in span with those of his choir, and that their piers are back to back with his vaulting-shafts in the choir-aisle. ❋ Cecil Walter Charles Hallett (N/A)
They terminate in the pinnacles of the flying buttresses that span the choir-aisle. ❋ Cecil Walter Charles Hallett (N/A)
Part of the base of Archbishop Roger's choir-aisle is visible imbedded between this wall and the apse. ❋ Cecil Walter Charles Hallett (N/A)
At the north end of the cross-wall it will be observed that the blocked doorway noticed in the choir-aisle was not round-headed on this side, but segmental. ❋ Cecil Walter Charles Hallett (N/A)
This cornice is continued within the Lady-loft, and reappears over the last bay of the choir-aisle. ❋ Cecil Walter Charles Hallett (N/A)
The parapet shows the same wide merlons and cruciform piercings which characterize the other Decorated parapets of the church, and it may have been brought forward from the choir-aisle. ❋ Cecil Walter Charles Hallett (N/A)
The alterations that were made in these arches were probably not important, and did not extend beyond the re-modelling of the mouldings on the side of the arch towards the choir-aisle; for we may notice that above both the arches we can still trace the notched decoration which is peculiar to Ernulf's work. ❋ Hartley Withers (1908)
In the south wall of the south choir-aisle are four Decorated arched recesses containing four effigies of bishops, belonging to the ❋ Unknown (1906)
In the pavement near the choir-aisle is a brass to John Philips, the author of _The Splendid Shilling_ and of _Cyder_, a poem endearing him to ❋ Unknown (1906)
Above is the interesting triforium stretching across the Norman arch opening to the choir-aisle beyond the transept itself. ❋ Unknown (1906)
But another of these bas-reliefs, close to the Renaissance clock, which interrupts the series of this history told in the choir-aisle, was even more astonishing. ❋ Unknown (1877)
The room is built against the south choir-aisle of the church, out of which a door opens into it. ❋ John Willis Clark (1871)
In consequence of this position the shape is irregular, for the church is apsidal, and the choir-aisle is continued round part of the apse. ❋ John Willis Clark (1871)
No. 314: from a shield upon a boss, about A.D. 1400, in the south choir-aisle of the church of Great Yarmouth. ❋ Charles Boutell (1844)
Markenfield Chapel), seems to have been an afterthought, since it differs from the other walls in the coursing of the stone and in the pattern of the string-course, and, moreover, at its northern end there is a 'straight joint,' visible in the choir-aisle. ❋ Cecil Walter Charles Hallett (N/A)
