Critiques

The light-speed rate of change in the 60s, which Ballard cannily emphasised as technological and communications based, as opposed to more commonly referenced societal critiques, is expressed brilliantly by Paolozzi, who cleverly adds a sheen of psychedelic colour — the filter through which society saw, and dealt with, this technological future shock. ❋ Unknown (2010)

One of the things which is ignored in critiques of the Stern Review is its relatively optimistic focus on what can be done, and the range of costs to achieve it. ❋ Unknown (2009)

The number one thing I notice while doing critiques is that new writers like to point out the obvious. ❋ Unknown (2009)

If Ms. Kaufman can only enjoy TV programs that she knows about first, then the quality of her critiques is disingenuous at best, and egocentric at worst. ❋ Unknown (2010)

Perhaps Rahm is conflating these critiques from the left in lashing out at Krguman. ❋ Unknown (2009)

The more you write, gain critiques, and sift through the feedback for the gold and utilize it; the better you will become as a writer. ❋ Unknown (2009)

However, while much in those critiques is worthy, there is also much in those critiques that is overly leveraged and merely fashionable as well, not the least of which is the idea that a transcendent realism per se as somehow passe. ❋ Unknown (2010)

The person who gives the best critiques is the winner of the contest. ❋ Cristalia (2008)

One way to engage with curatorial teams (and educators and marketers and whoever) and work around these fears and valuable critiques is to have permanent programmers on staff who demonstrably value and respect museum expertise and collections just as much as curators, and who are willing to respond to the concerns raised during digital projects. ❋ Mia (2008)

Usually when every objection to a series of critiques is based on context, the objector is trying to avoid something. ❋ Unknown (2007)

I think the reason that the "unfalsifiable" accusation comes up sometimes in critiques of pseudoscience is as a second stage of the debate. ❋ Unknown (2006)

The “endowment effect” has emerged as a staple of behavioral economics, especially in critiques of the real-world validity of the Coase Theorem. ❋ Unknown (2004)

In general I need to keep doing critiques from the horrorauthor's board. ❋ Unknown (2000)

But those are big-picture long-term critiques whereas The One's thinking short-term, i.e. whom does he need to demagogue to kick up just enough popular support to finally get this thing through Congress and off the table. ❋ Unknown (2010)

Granted, if you live or grow up in NYC, maybe that isn’t a hard thing to find, but if you are out in the middle of nowhere you probably aren’t getting very good critiques from the groundhogs. ❋ Unknown (2010)

I’m putting together a book of the best of the lessons and critiques from the blog. ❋ Unknown (2008)

Listening to a dozen or so critiques is a great way to get a sense of what grabs an agent’s attention and what doesn’t, which observations authors can then apply to their own work. ❋ Unknown (2007)

Your hasty rattling off of a few of those rare feminist critiques is completely without relevance to sommer’s argument, as even you are intelligent enough to know. ❋ Unknown (2007)