Iubilate Deo omnis terra: psalmum dicite nomini eius, date gloriam laudi eius. ❋ Bls (2009)
Sunt sua praemia laudi, says Virgil; and so Cicero, Nihil habet natura praestantius, quam honestatem, quam laudem, quam dignitatem, quam decus, which he tells you are all names for the same thing. ❋ Unknown (2007)
Franciscan influence, culminates in the mystical laudi of Jacopone da ❋ 1840-1916 (1913)
These laudi proved to be the germs of the later oratorio, for from their dramatic tone and tendency the oratorio seems to have been developed. ❋ 1840-1916 (1913)
These laudi were especially in use among the so-called Laudesi and the Flagellants, who sang them in the towns, along the roads, in their confraternities, and in sacred dramatical representations. ❋ 1840-1916 (1913)
During this year he wrote a number of motets and laudi spirituali for the ❋ 1840-1916 (1913)
Italy the main impulse came from the laudesi confraternities, the survivors of the Flagellant movement, who met together in their own chapel to sing laudi (canticles) in honour of the Blessed Virgin, which gradually assumed a dramatic form and grew into rappresentazioni sacre. ❋ 1840-1916 (1913)
These laudi were songs of praise for several voices, and were always performed after the sermon. ❋ 1840-1916 (1913)
He is considered the father of the modern oratorio form, which had its origin in the simple laudi sacri composed by Palestrina and Annimuccia for St. Philip Neri's meetings of young people, held in his oratorio or place of prayer. ❋ 1840-1916 (1913)
Its diffusion was marked and aided by the popular laudi, folk-songs of the Passion of Christ and the Sorrows of Our Lady, while in its wake there sprang up numberless brotherhoods devoted to penance and the corporal works of mercy. ❋ 1840-1916 (1913)
Hoc tamen habet incommodi tantum beneficium, quod mihi nunquam posthac sine vestrae famae detrimento vel labi liceat vel cessare; semperque sit timendum, ne quod mihi tam eximiae laudi est, vobis aliquando fiat opprobrio. ❋ Boswell, James, 1740-1795 (1887)
It was in them that the much-abused lines _O fortunam natam me Consule Romam_, and _Cedant arma togae, concedat laurea laudi_, occurred. ❋ Charles Thomas Cruttwell (1879)
None of these mysteries are totally without music, as there are choruses and _laudi_, or hymns, that are sung in them all, and sometimes there was playing on instruments between the acts. ❋ Unknown (1876)
Non mihi sit laudi, quod eram velut alter Apelles, ❋ J. B. Supino (1869)
Suae demptum laudi existimans, quicquid cessisset alienae, says the historian: because he thought, that whatsoever praise was be stowed upon another, was took from him. ❋ 1634-1716 (1823)
* Suae demptum laudi existimans, quicquid cessisset alienae: [356] 1 ❋ 1634-1716 (1823)
Hoc tamen habet incommodi tantum beneficium, quod mihi nunquam posthâc sine vestrae famae detrimento vel labi liceat vel cessare; semperque sit timendum, ne quod mihi tam eximiae laudi est, vobis aliquando fiat opprobrio. ❋ James Boswell (1767)
The statue of the King, and that "honori, laudi, virtuti divae Carolinae," make one smile, when one sees the ceiling where Britannia rejects and hides the reign of King ** ❋ Horace Walpole (1757)
Praecedit fblio verso Gersonis Soncinatis praefatio, in qua narrat se a nationis magnatibus fuisse excitatum, ut divinum et inaestimabile hoc opus, quod cum auctore suo summis laudi - bus cumulabant, imprimeret, seque eorum votis obsecutum, deiecto ad hoc accurato exemplari, quod spondec. ac sperat, auxiliante Deo, se corre - ctissime ty pis editurum. ❋ De Rossi, Giovanni Bernardo, 1742-1831 (1795)
Sed bellicofo ftrenuus ardttt Amore Veri, crimina feculi Fraudefque & indevota laudi Pe£lora defidiamque frango Ultore verfu. ❋ Maciej Kazimierz Sarbiewski, Joannes Michael Van Der Ketten (1791)
