Pressing Board

As it is difficult to insert the needle into a section placed on the bed of the sewing-frame, it will be found convenient to sew upon a largish pressing-board, which will lie on the bed of the frame, and may have small catches to prevent it from shifting. ❋ Douglas Cockerell (1894)

To do this a pressing-board is taken which is a little larger than the book, and a tin, covered with common paper, placed on that, then a few sections of the book, then another tin covered with paper, and then more sections, and so on, taking care that the sections are exactly over one another (see fig. 20). ❋ Douglas Cockerell (1894)

When this has been done, and all is found to be in order, the book is laid on a pressing-board behind the sewing-frame, the fore-edge towards the sewer, and the front end paper uppermost. ❋ Douglas Cockerell (1894)

If the edges are to be coloured, they should be slightly scraped, and the colour put on with a sponge, commencing with the fore-edge, which should be slightly fanned out, and held firmly, by placing a pressing-board above it, and pressing with the hand on this. ❋ Douglas Cockerell (1894)

To flatten the vellum the open pairs of leaves are interleaved with the slightly damp blotting-paper, and are left for an hour under the weight of a pressing-board. ❋ Douglas Cockerell (1894)

A second pressing-board having been placed on the last tin, the pile of sections, tins, and pressing-boards can be put into the standing-press and left under pressure till next day. ❋ Douglas Cockerell (1894)